| Pirate | - Natalia Maximillion

[VickiRinney]

NATALIA "Pup" MAXIMILLION
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Eighteen - Der Wilde Jagd Coordinator - Shouken Mastery - Shichibukai Pirate - Ex Noble - Romanticist

I'M NOT A FOOL, I JUST KNOW THAT YOU'RE DEAD INSIDE
I'm not a fool, I'm as lifeless too.

• Specializing in Melee + Haki Combination.
  
• Swordswoman Apprenticeship.
  
• High-Ranked Jagd Member.
  
• Superhuman Reflexes.
  
• Extremely High Pain Tolerance.
  
• Advanced Busoshoku Haki.
  
• Advanced Kenbunshoku Haki.
  

BUT YOU TAUGHT ME HOW TO FEEL WHEN NOBODY EVER WOULD
and you taught me how to love when nobody ever could.

• Yammamura Haruki.
  
• Gilles Kanis.
  
• Pierce Maximillion.
  
• Sophitia Maximillion.
  
• Anastasia.
  

YOU BELONG TO THE WORLD, YOU BELONG TO THE WORLD
you belong to the loneliness of filling every need.

• Shouken Mastery - Black Leg Style
  | Shouken's resonance and control of air-waves in the vicinity comes together in a mastery of palm/hand and foot/leg effect for the woman. Incorporating a harsh regime of leg-strengthening techniques, the layout of her final moves utilizes this strength to deliver clashing, devestating blows against the opponent: from singular strikes to overwhelming area-of-effect motion. |
  
• Shouken Ougi: Shűen o Kaiten.
  | A release of Arnament Haki, pressure, and air-waves from her legs, the effect is a source of malignant shock to strike at any and everything around the sudden release of her kicking in a three-hundred-sixty degree angle. The motion is made by the user latching her hands onto the ground and releasing this wave in a spin - like movement.|
  
• Shouken Ougi: Shinobutô.
  | A magnified kick that sweeps off of the surface in a pressurized motion and unleashes this force and speed directly into the target. It is traumatizing enough to shatter completely through metal and defensive technique. |
  
• Shouken Ougi: Naibu no Konran.
  | The combination of leg strength and Shouken targets the victim's inner nervous structure - releasing pressure and air-wave to disrupt the target's nervous system and temporarily scramble neurological messages. It is used as an ultimate disabling technique, removing the ability of motion and body control from the victim for a limited amount of time in total paralysis. |
  
• Shouken no Nibui Style - Swordsmanship
  | In true spirit of body being fashioned into a complete weapon, the finesse of a sword has been taught in order to spread a more violent influence through the manner of a sharpened blade. The passion for the art is miniscule - merely taught from unfortunate prisoners out of malice and disdain for her limited ability of combat, as well as prove to her Master her formidibility in creative battle. The influence of air is diluted, not one to increase the sharpness of her blade, but to progress along the edges and formulate blunt, solid hits to come into contact in rapid strikes against opposing foes. Thus, the priority of this style is not to cut, but to blugdeon. |
  
• Nibui Style: Pondo
  | A technique yet mastered, the force of air pressure collides against the surface of the blade's target in order to rend asunder the contact point in a fierce, pound like noise. It breaks through most surfaces, depending on the strength of the user's force behind it. |
  
• Nibui Style: Tsume
  | The unsheathing of the blade releases a compound effect of pure pressure to crack against the very air and split it into four talon-like vices to slash against the victim in impact. This 'claw' is under the control and utilization of the wielder, and is extended or retracted upon that second of release in its attack. |
  
• Nibui Style: Kamu
  | From a release point of the blade within the air, a quick descent of the sword gives the wielder the advantage of multiple, air-flurrying slashes to "bite" against the opponent's form. This produces a brutalizing maul, crashing rapidly into the body and effortlessly snapping bones if connected. |
  

YOU BELONG TO THE WORLD, YOU BELONG TO THE WORLD
you belong to the temporary moments of a dream.

The world is a cruel place, but its very selective. To those who only find that ability to survive in it, they are not born in privilege. Thus, they are not able to see what it is to have and be everything. But what they do not know is that they are the lucky ones, for their lives hold more meaning in one day than those who have never gone a minute without. They are the ones worthy of living on this land. They are the ones we want to become. Their importance is only what we wish to achieve. For the cursed ones, there is only one way of obtaining such importance - suffering.

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